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Reflections in a Radio Shower (2001, 72.27) ***/T |
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| Second Degree Soul Sparks New Spell Drive-By Poetry Retrospectre Clear Audient I'll Give You Cumulus Hidden Rope Trick Gods at the Top of the World |
Eye=I Bird Swarmy Loop Intelligent Sparkling Fish Blood & Oxygen (for the Brain) Walking Shadow The Idle Hours of the Fruit Fly Clouds of Hypno Smoke Elliptical Orbits (Over and Out) |
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Alien Injection (2008, 78.48) ***/TTT½ |
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| Alien Injection New Religion Alpha Harmony Every Gun Plays its Own Tune Logger's Revenge (Brian Tawn Speaks!) Augustus Future Memories The Entropy Tango |
Another World The Hawk Imported Serpents Ingleborough Upturned Dolphin Salome Montfallcon Heaven (is One Quality Tree for the Road) |
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Bloodlines [as Spirits Burning & Bridget Wishart] (2009, 74.25) ***½/T |
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| Eye of the Day Cleopatra Midas Touch Chaminuka Rocket to the End of the Line Heavens Hide Czaritsa Queen of Ghosts |
Goldmine Follow Me Mistress of the Age Mother of the Dragon Lady Jane Holding Hands Silene's Light |
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Crazy Fluid (2010, 76.01) ***½/T½ |
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| Holy Water and the Sea Movers My Caspian Sea Monster Slicing Through the Unknown Plantagenets I Don't Want to Grow Up and Be a Scent Dealer Like You Caravelle Pinball Symphonics (an Ancient Psychedelic Performance @ the Tail End of Youth) |
Martian Crystals Liquid Clocks Fondue Fuels The Book of Luana (i) Luana Doom! (ii) Luana the Duchess (iii) A Preacher for Luana (iv) Luana the Host (and the Carnival for the Defense) |
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Behold the Action Man (2011, 72.10) ***½/TT½ |
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| Rendezvous at Lava Lounge Stand and Deliver The Real Time Internal Detective Strafed By a UFO Outcast Hypnospy Crank Up the Vibes |
The Train Hemlock on the Rocks Every Space Opera Obelisk of Fondue Astral Flight Gassed This Mark You Make Pieces des Innocents Noir Underworld Messiah |
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Healthy Music in Large Doses [as Spirits Burning & Clearlight] (2013, 73.32) ***/T½ |
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| Treasures at the Dawn of the Century Raised on Coal and Oil Our Secret Cloud Infinite City Hand Signals and Daily Horoscopes Cool Can of Cola on the Forehead Healing Power of Magnets Travellin' Sideways |
The Kingdom of Music In Search of Friends on the Day of Masks Italian Lake The Road to Shave Ice Bring it Down |
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Make Believe it Real [as Spirits Burning & Bridget Wishart] (2014, 95.35) ***½/T |
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| Make Believe (it Acoustic) Cyber Spice Revenant Be Careful What You Wish Skyline Signal Demonkind Eternal Energy Embers SpaceRocknRoll |
Journey Past the Stars Reflections Always (Spirited Away) No One Cries in Space Iceflow (Icetalk Mix) Take Up Thy Stethoscope and Walk Make Believe it Real Chain of Thought |
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The Roadmap in Your Head [as Spirits Burning & Clearlight] (2016, 75.13) ***½/½ |
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| The Roadmap in Your Head Sun Sculptor & the Electrobilities The Birth of Belief Coffee for Coltrane Isolation in 10 80 Mrs. Nooness The Old College Sky is Where We Left it Fuel for the Gods |
Early Evening Rain Black Squirrel at the Root of the Staircase Outsiders Parachute in Déjà Vu La Rue Inconnue Roadmaps (the Other Way) |
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An Alien Heat [as Spirits Burning & Michael Moorcock] (2018, 75.50) ***½/T½ |
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| Hothouse Flowers Geronimo Soirée of Fire In the Future Doomed Fall in Love Any Particular Interest Dark Dominion |
Seven Finger Solution To Steal a Space Traveller Virtue & Mrs. Amelia Underwood Learning the Art Back to 1896 Quest for Bromley Thank You for the Fog Old Friends With New Faces |
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The Hollow Lands [as Spirits Burning & Michael Moorcock] (2020, 76.13) ***½/½ |
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| To Hollow Lands Isn't it Delicious? Playing at Ships Dance Through Time Warm Snow Peaks On the Hunt A Haze of Crimson Light Conflict & Illusions Robot Nurse & the Children of the Pit |
A Conversation With H.G. Wells Awful Dilemma Mr. Underwood's Soliloquy Time Machine Cabriolet We May Yet Be Saved Morphail Megaflow Memorable Night at Café Royal To the Time Machine, at Last Make a Fire |
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The End of All Songs - Part 1 [as Spirits Burning & Michael Moorcock] (2023, 74.29) ***½/T½ |
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| The End of Every Song Try and Try Again Child of the Moon Paleozoic Eons Guild of Temporal Adventurers You Have Learned (to Love the End of Time) All is Well Paradise Wings in Flight Your Message of Doom |
It is Everything Building a Bad Scene Sanctuary Chances Our The Price We Pay Second Thoughts Don't Concern Yourself With the End of the World Each Vehicle Has Two Eyes |
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Higher & Higher: A Tribute to the Moody Blues (2006) ***½/TTT½[Spirits Burning contribute]The Story in Your Eyes |
Current availability:
Mellotrons used:
Spirits Burning are a California-based space-rock collective, grouped around leader Don Falcone and originally formed as far back as 1986, including (at different times) Michael Moorcock, Daevid Allen and various members of Hawkwind from across the years.
2001's Reflections in a Radio Shower is their second album, a lengthy trip through some of space-rock's many facets, although its chief inspiration seems to be Gong, rather than the small genre's other market leaders. Opening with the Floyd-ish Second Degree Soul Sparks, complete with random voices dropped into the mix, despite some common features, not least Daevid Allen's ubiquitous 'gliss guitar', no two tracks sound that alike, making the album either 'something for everyone' or 'uncohesive', depending on your viewpoint. The Moor's Kenneth Magnusson plays Mellotron on two tracks, with strings on Clear Audient and strings and choir on I'll Give You Cumulus, although all other choir sounds are presumably samples.
2008's Alien Injection is their fourth album and first in some years, featuring a typical run of guests and a surprising variety of styles, not least the very strange The Entropy Tango and the acoustic avant-jazz of Montfallcon. Overall, though, it's fairly standard space-rock, coming with the usual caveat on the subject of style. You know, if you like this stuff you'll probably like this and conversely... Falcone plays Mellotron, with fairly upfront string parts on several tracks, plus choirs on Imported Serpents and flutes on closer Heaven (Is One Quality Tree For The Road), always nice to hear.
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The following year's Bloodlines is the band's second collaboration with Bridget Wishart (the previous year's sampled Mellotron effort Earth Born being their first), featuring her vocals alongside contributions from Nic Potter (once of Van der Graaf Generator) and fellow Hawks Harvey Bainbridge, Alan Davey and Simon House, amongst others. Like Alien Injection, it works its way through various styles, some more contemporary than others, from the rock'n'roll of Cleopatra through the pseudo-Chinese Midas Touch, the hard rock of Rocket To The End Of The Line and the lovely acoustic Lady Jane. Falcone informs me that the string washes on Heavens Hide are the only Mellotron track, although there are Mellotronnish choirs to be heard on a couple of others.
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| Danny working on the Mellotron at Don's studio | |
2010's Crazy Fluid is back to just Spirits Burning, although Wishart is involved, as are Daevid Allen and others, including electric violinist Cyndee Lee Rule. It's a far more abrasive proposition than its predecessor, but with surprisingly proggy touches, too, notably on the four-part The Book Of Luana, not to mention the near-jazz of Liquid Clocks. Falcone plays Mellotron strings on opener Holy Water And The Sea Movers and strings, choir and maybe cellos on Pinball Symphonics, while the strings on The Book Of Luana might be real or sampled, played by Randy Wilson.
The following year's Behold the Action Man moves back towards the more drifting end of the psychedelic spectrum for much of its length, highlights including the Hawkwind-alike Strafed By A UFO and Crank Up The Vibes, Wishart's clarinet to the fore. Magnusson and Falcone variously play Mellotron, with chordal strings (and vibes?) on opener Rendezvous At Lava Lounge, distant choirs on The Real Time, lush strings on Internal Detective, flutes and strings on Hypnospy and distant strings on Crank Up The Vibes and closer Underworld Messiah. 2013's Healthy Music in Large Doses (as Spirits Burning & Clearlight) is even more laid-back, at its best on Raised On Coal And Oil, the Floydian Travellin' Sideways and the groove-based In Search Of Friends On The Day Of Masks. Just Magnusson on Mellotron, with background flutes and strings on Raised On Coal And Oil, drifting strings and choirs on Hand Signals And Daily Horoscopes and distant choirs on The Road To Shave Ice's outro, although nothing obvious on its intro, despite a credit.
If 2014's Wishart collaboration Make Believe it Real has a fault, it's length: 95 minutes is an awful lot to absorb in one hit, but there are several gems scattered throughout the sprawl, notably opener Make Believe, Eternal Energy, the lengthy Reflections and particularly trippy closer Chain Of Thought. Falcone plays Mellotron on two songs, with a complex flute part on their version of The Floyd's Take Up Thy Stethoscope And Walk and string and flute parts on Chain Of Thought. 2016's The Roadmap in Your Head is a collaboration with Cyrille Verdeaux, a.k.a. Clearlight, also featuring members of Gong, amongst other guests, highlights including the opening title track, Isolation In 10 80 and the lengthy Fuel For The Gods. Magnusson on Mellotron this time round, with distant strings and choirs on the title track and more obvious ones on Black Squirrel At The Root Of The Staircase.
In 2018, Spirits Burning finally attained their spiritual home, collaborating with the legendary Michael Moorcock on their shared interpretation of his novel An Alien Heat, the first instalment in his Dancers at the End of Time series. Fittingly, the album also features several current and past members of the Blue Öyster Cult, not to mention The Damned, The Groundhogs and all the usual suspects. In what appears to be a first for the collective, the album's closer to 'rock opera' than any kind of looser concept, many of its lyrics eschewing rhyme and scansion for narrative clarity; only you can decide whether or not the tradeoff works. Top tracks? Doomed, Dark Dominion and Virtue & Mrs. Amelia Underwood, maybe. Just Falcone on Mellotron, with upfront strings on Soirée Of Fire and string and flute parts on Dark Dominion. This album's notable for being the nearest we've come to a new BÖC album in over fifteen years; not that near, admittedly, but you take what you can get. Note: This predates 2020's The Symbol Remains by two years.
2020's The Hollow Lands is the second of Moorcock's Dancers... series, in a similar vein to its predecessor, featuring various BÖCers, Hawks and even a Dictator. Again, the narrative overrides the music across much of the album, better tracks including violin-driven opener To Hollow Lands, the brief The Hunt and the amusing A Conversation With H.G. Wells, Moorcock narrating both parts of the dialogue. Mellotron? Isn't It Delicious? features Falcone's cello line snaking in and out of the track and little string swells, although Don tells me the 'Tron' credit on for on A Haze Of Crimson Light refers to M-Tron samples. The collective's next Moorcock collaboration, 2023's The End of All Songs - Part 1, wraps up the Dancers trilogy. It features the great man heavily, alongside various famous friends, not least BÖC's Buck Dharma, who writes and sings lead on opener The End Of Every Song, a heavy Albert Bouchard presence, The Damned's keys man Monty Oxymoron and a return for Bridget Wishart on a handful of tracks. I have to level the usual criticism of the band's work at the album: too long, too many tracks which, themselves, are often too long. Is the length necessary to squeeze in the concept? Hard to say, but, as ever, a good edit would improve the album for this listener. Best tracks? The End Of Every Song, Guild Of Temporal Adventurers and Building A Bad Scene, possibly. Falcone on Mellotron, with a background flute melody on The End Of Every Song, a repeating flute melody on the brief You Have Learned (To Love The End Of Time), shrieky, echoed flutes on Building A Bad Scene and upfront strings (at last!) on Chances Our, plus, going by Don's previous 'code', string samples dotted throughout Try And Try Again.
Spirits Burning have improved over the years, making increasingly good albums, although it's difficult to sound at all original in this genre. Decent levels of Mellotron use certainly spice up Reflections... and Alien Injection, though.
2008's Earth Born is a straight collaboration between the band (essentially Falcone) and Hawkwind's Bridget Wishart, the latter singing on most tracks. As with all the band's albums, moments of sublime, er, sublimeness (sublimity?) are scattered amongst long stretches of trippy, jammed-out space-rock, mostly at the gentler end of the spectrum. On the site set up for the collaboration, Falcone gives the sample game away for all their recent releases, mentioning the M-Tron plug-in by name. He adds it to a handful of tracks, with a near-inaudible Genesis 'Watcher' strings/brass mix on the opening title track, upfront strings on Hit The Moon, backwards strings on Child Growing and a drifting string part on Candles.
See: Michael Moorcock | Daevid Allen | Hawkwind | Higher & Higher
