US
Tom Hamilton. No, not that one. (Milwaukee, Wisconsin)
This alphabetical list contains selections from 1969-1975:
- Camel: Never Let Go (Camel; 1973) Love the flute tapes/real flute(?)
interplay
- Genesis: Dancing with the Moonlit Knight (Selling England By the Pound; 1973) Choir, violins, and...brass? Poignant and powerful mixture
- King Crimson: Cirkus (Lizard; 1970) Perhaps my favorite. I'm taken to
mouth-Mellotron the ominous MkII brass hook while it's playing and sometimes when it's not! Violins really provide the 'things-gone-terribly-awry-at-the-circus' atmosphere
- King Crimson: The Court of the Crimson King (In the Court of the Crimson King; 1969) Listen to those up-front violins carry you away! Sublime Mellotron music. Special note: That counter-lead on 'Epitaph' blows me away, too. (Notice how I slipped a third
H.M. onto the list?)
- King Crimson: Trio (Starless and Bible Black; 1973) Lead flute with the
limitations that make the Mellotron so endearing. No need for lyrics with the amazing story telling of the instruments
- Moody Blues: Beyond (To Our Children's Children's Children, 1969) Space instrumental with cool effects. Are there examples of the Moodies' low-speed motoring technique here? Hmm...
- Moody Blues: I'm Just a Singer in a Rock'n'Roll Band (Seventh Sojourn; 1972) Yes, overbearing lyrics. Yes, overplayed in U.S. Yes, I'm told it's Chamberlin. But I love the punchy, honking brass, and it's my favorite violins counter-lead. Cool stop-start song construction
- Pavlov's Dog: Late November (Pampered Menial; 1975) Great title for a prog tune; that's the right time of season for Mellotron appreciation, and the violins really set the mood. This St. Louis, Missouri band is my only American entry
- Strawbs: Life Auction (Ghosts; 1974) Some more rich and ominous sounding Mellotron. Slow haunting pitch-bends add nice tension to this great bombastic English Prog gem
- Yes: And You and I (Close to the Edge; 1972) Symphonic bliss
Honorable mention:
- Moody Blues: New Horizons (Seventh Sojourn; 1972) Lovely song, drenched
in lush (Chamberlin?) violins
- Trace: Galliarde (Trace; 1974) Lots of 'Tron for the money. This Bach interpreted selection has stately violins and choir, and...is that a trumpet tapes solo? You'll be pleased when this part arrives
Jon Salley (Hutchinson, Kansas)
- Genesis: Supper's Ready (Foxtrot; 1972) The incredible nuclear detonation of 3 violins at the end (from the lyric "a brand new tune" to the end)
- Genesis: Can-Utility and the Coastliners (Foxtrot; 1972) The tidal wave of the solo
- Genesis: Watcher of the Skies (Foxtrot; 1972) The ENDING solo
- Yes: Heart of the Sunrise (Fragile; 1971)
- Moody Blues: Gypsy (To Our Childrens' Childrens' Children; 1969)
- Gentle Giant: Three Friends (Three Friends, 1972) The ending fadeout
- Moody Blues: The Voyage (On The Threshold of a Dream; 1969)
- Yes: The Remembering (Tales From Topographic Oceans; 1973) The end of Side Two featuring the huge 8-voice choir for the first time in a Yes studio album
- Rick Wakeman: Catherine Howard (The Six Wives of Henry VIII; 1973)
- David Bowie: Space Oddity (Space Oddity; 1969)
Special Honourable Mention to the little bit of 3-violins in "America" on the Atlantic sampler record that introduced Rick Wakeman to the world as Yes' new keyboardist before "Fragile" was released and demonstrated that they were becoming an incredible force in the keyboard realm. Let the games begin, Mr. Emerson! [Editor's note: also available on Yes' 'Yesterdays' compilation]
Ted Luce (Independence, Missouri)
- Yes: And You and I (Close to the Edge; 1972)
- Genesis: Dancing with the Moonlit Knight (Selling England By the Pound; 1973)
- PFM: Il Banchetto (Per un Amico/Photos of Ghosts; 1972/73)
- Barclay James Harvest: Galadriel (Once Again; 1971)
- Yes: Heart of the Sunrise (Fragile; 1971)
- Moody Blues: Forever Afternoon (Tuesday?) (Days of Future Passed; 1967)
- David Bowie: Space Oddity (Space Oddity; 1969)
- Beatles: Strawberry Fields Forever (single, 1967)
- Genesis: Mad Man Moon (A Trick of the Tail; 1976)
- Genesis: The Fountain of Salmacis (Nursery Cryme; 1971)
"Relayer250" (Maryland)
- Yes: And You and I (Close to the Edge; 1972)
- Yes: Close to the Edge (Close to the Edge; 1972)
- The Moody Blues: Watching and Waiting (To Our Children's Children's Children, 1969)
- King Crimson: The Court of the Crimson King (In the Court of the Crimson King; 1969)
- Moody Blues: Nights in White Satin (Days of Future Passed; 1967)
- Yes: The Gates of Delirium (Relayer; 1974)
- The Moody Blues: Out and in (To Our Children's Children's Children; 1969)
- Yes: The Revealing Science of God (Tales From Topographic Oceans; 1973)
- The Moody Blues: Legend of a Mind (In Search of the Lost Chord; 1968)
- Tangerine Dream: Phaedra (Phaedra; 1974)
Mark Guempel (St. Louis, MO). I think Mark likes Genesis.
- Genesis: Dancing with the Moonlit Knight (Selling England By the Pound; 1973)
- Genesis: Entangled (A Trick of the Tail; 1976)
- Genesis: Watcher of the Skies (Foxtrot; 1972)
- Genesis: Dance on a Volcano (A Trick of the Tail; 1976)
- Genesis: The Fountain of Salmacis (Nursery Cryme; 1971)
- Genesis: Supper's Ready (Foxtrot; 1972)
- Genesis: The Lamia (The Lamb Lies Down on Broadway; 1974)
- Genesis: One for the Vine (Wind & Wuthering; 1976)
- Genesis: Eleventh Earl of Mar (Wind & Wuthering; 1976)
- Genesis: Firth of Fifth (Selling England By the Pound; 1973)
Jeff Runyan (Tennessee)
Top ten 'goose bump' moments (in order)
- King Crimson: In the Wake of Poseidon (In the Wake of Poseidon; 1970) (immediately, then again when the 'Tron plays the vocal melody)
- King Crimson: The Court of the Crimson King (In the Court of the Crimson King; 1969) (right after BOOM-Boom-boom...!)
- PFM: Appena un Po (Per un Amico; 1972) (the two build-up parts at the 4:00 and 6:30 points)
- Yes: Opening/Firebird Suite (Yessongs; 1973) (right before Siberian Khatru, great orchestra-'Tron transition)
- Sebastian Hardie: Four Moments/Dawn of Our Sun (Four Moments; 1975) (the flute 'Tron melody during part 2)
- King Crimson: Epitaph (In the Court of the Crimson King; 1969) (every time right after a tympani drumroll)
- Moody Blues: Dawn: Dawn is a Feeling (Days of Future Passed; 1967) (another great orchestra - 'Tron transition)
- Earth & Fire: Storm and Thunder (Song of the Marching Children; 1971) (slowly seeping in after 2 minutes of organ)
- Genesis: Firth of Fifth (Selling England By the Pound; 1973) (building up during Hackett's guitar solo)
- King Crimson: The Devil's Triangle (In the Wake of Poseidon; 1970) (that twisted bassoon sound right before the 4:00 point; never heard anything else like it)
Honorable mention: Starless - King Crimson/New World - Strawbs/Favole Antiche - Celeste/The Prisoner - Spring/And You and I - Yes/Heart of the Sunrise - Yes/Watcher of the Skies - Genesis/Fountain of Salmacis - Genesis/Shadow of the Hierophant - Steve Hackett/Tuesday Afternoon - Moody Blues
Jim Rigberg (Phoenix, Arizona). Jim's my chief guest reviewer.
- Kevin Gilbert: Shadow Self (Thud; 1995)
- New England: Explorer Suite (Explorer Suite; 1980)
- Genesis: Blood on the Rooftops (Wind & Wuthering; 1976)
- Yes: To Be Over (Relayer; 1974)
- Spock's Beard: Time Has Come (Beware of Darkness; 1997)
- Porcupine Tree: Gravity Eyelids (In Absentia; 2003)
- Gentle Giant: Three Friends (Three Friends; 1972)
- Michael Penn: Out of My Hands (Resigned; 1997)
- Split Enz: Maybe (Mental Notes; 1975)
- Beatles: Strawberry Fields Forever (single, 1967)
George Schwalm (Sugar Land, Texas)
- Genesis: Watcher of the Skies (Foxtrot; 1972) Of course! Play this when your kids are misbehaving.
- Moody Blues: The Voyage (On The Threshold of a Dream; 1969) This is where it all started for my money [literally!]
- King Crimson: Epitaph (In the Court of the Crimson King; 1969) The ultimate catharsis!
- King Crimson: The Devil's Triangle (In the Wake of Poseidon; 1970) Three 'Trons at once here? A tour de force!
- Moody Blues: Beyond (To Our Childrens' Childrens' Children; 1969) Play this while watching "2001 A.S.O." stargate scene. Brownies anyone?
- Moody Blues: My Song (Every Good Boy Deserves Favour; 1971) Majestic! The Moodies should have quit after this one.
- Steve Miller Band: In My First Mind (Children of the Future; 1968) Balmy 'Tron strings on this one. Very evocative. An overlooked masterpiece.
- Tomita: The Engulfed Cathedral (Snowflakes Are Dancing; 1974) REALLY far out 'Tron choir.
- Jethro Tull: Cross-Eyed Mary (Aqualung; 1971) The intro gives me dat "Mellotron rush" like da man said!
- Rolling Stones: 2000 Light Years From Home (Their Satanic Majesties Request, 1967) God, how could I forget this one? Mellotron work makes it totally astronomical. Thanks, Bri'!
Honourable Mention: Tangerine Dream: "Rubicon". Nice experimental 'Tron work here. Also economical entry - an album for the price of a song.
DIShonorable Mention: Black Sabbath "Changes". Give me a break!
Song I Most Wish HAD Mellotron: Peter Hammill "Red Shift".
Conspicuous in its absence: Yes and Rick Wakeman : It's ALL good!
Jim Hresko (El Monte, California)
- Victor Peraino's Kingdom Come: Lady of the Morning (No Man's Land; 1975)
- Second Hand: Death May Be Your Santa Claus Reprise (Death May Be Your Santa Claus; 1971)
- Beggars Opera: Time Machine (Waters of Change; 1971)
- Jonesy: Know Who Your Friends Are (Growing; 1973)
- Indian Summer: Secrets Reflected (Indian Summer; 1971)
- Spring: Shipwrecked Soldier (Spring; 1971)
- Cherry Five: Country Grave-Yard (Cherry Five; 1975)
- Fields: The Eagle (Fields; 1971)
- Kestrel: August Carole (Kestrel; 1975)
- Museo Rosenbach: Della Natura (Zarathustra, 1973)
- Arthur Brown's Kingdom Come: Superficial Roadblocks (Journey; 1973)
Jim - that's 11.
Nick Pulliam (North Chelmsford, Massachusetts)
- Genesis: The Fountain of Salmacis (Nursery Cryme; 1971)
- PFM: Appena un Po (intro) (Per un Amico; 1972)
- Gentle Giant: Three Friends (Three Friends; 1972)
- Yes: Heart of the Sunrise (Fragile; 1971)
- King Crimson: Epitaph (In the Court of the Crimson King; 1969)
- The Moody Blues: Out and in (To Our Children's Children's Children; 1969)
- Druid: Toward the Sun (Toward the Sun; 1975)
- Änglagård: Kung Bore (Hybris; 1992)
- Steve Hackett: Shadow of the Hierophant (Voyage of the Acolyte; 1975)
- Zombies: Care of Cell 44 (Odessey & Oracle, 1968)
Mike Lutgen (New Jersey)
- King Crimson: In the Wake of Poseidon (In the Wake of Poseidon; 1970)
- Genesis: The Fountain of Salmacis (Nursery Cryme; 1971)
- Arthur Brown's Kingdom Come: Galactic Zoo (Galactic Zoo Dossier; 1972)
- Noble Gas: Sand in the Sea (One Foot Above the Ground; 2003)
- Meat Beat Manifesto: Placebo (Satyricon; 1992)
- Gentle Giant: Wreck (Acquiring the Taste; 1971)
- Pink Floyd: Sysyphus (Ummagumma; 1969)
- Strawbs: Sad Young Man (Hero & Heroine; 1974)
- Yes: Close to the Edge (Close to the Edge; 1972)
- Rolling Stones: 2000 Light Years From Home (Their Satanic Majesties Request, 1967)
Joe Ellis (Fort Wayne, Indiana)
- Anekdoten: Sad Rain (Vemod (Japanese edition); 1993) Thank
goodness this was released as a bonus track on their Japanese label - heavenly
- Deadwood Forest: Dry (Mellodramatic, 2000)
- Spring: Golden Fleece (Spring; 1971) 'Arm-waving' type of flowing 'Tron
strings
- King Crimson: The Court of the Crimson King (In the Court of the Crimson King; 1969) It started my fascination with the Mellotron
- England: Three Piece Suite (Garden Shed; 1977)
- Genesis: Dancing with the Moonlit Knight (Selling England By the Pound; 1973)
- Moody Blues: Legend of a Mind (Caught Live + Five; 1977) Multiple LIVE pitchbends and in 1969!!! The 2nd rock band that I saw live (1970)
- Limelight: Man of Colours (Limelight; 1980) Thank you Andy
- Genesis: Firth of Fifth (Selling England By the Pound; 1973)
- Strawbs: Hero And Heroine (Hero And Heroine; 1974)
Scott Hamrick (Florida)
- King Crimson: Epitaph (In the Court of the Crimson King; 1969) the original 'Trons of Doom and Despair
- Anekdoten: Ricochet (Gravity; 2003) especially during the vocal "The dream machine's on speed" - something about the chord changes
- Rick Wakeman: Catherine Howard (The Six Wives of Henry VIII; 1973) strings and flute to make you cry
- Genesis: Silent Sorrow in Empty Boats (The Lamb Lies Down on Broadway; 1974) heavenly chorus
- Genesis: Cinema Show (live) (Seconds Out; 1977) live version on Seconds Out only! Again, heavenly chorus, but backed by ferocious double drumming by Bruford and Collins
- Tangerine Dream: Mysterious Semblance at the Strand of Nightmares (Phaedra; 1974) phased 'Tron - WOW!
- King Crimson: Trio (Starless & Bible Black; 1973) beautiful flutes
- Änglagård: Prolog (Epilog; 1994) more beautiful flutes to die for
- Jasun Martz: The Pillory (The Pillory; 1978) both sides of this extremely weird album are loaded with a couple different sets of 'Tron tapes going at the same time
- Celeste: Principe di un Giorno (Principe di un Giorno, 1976) makes me feel like I'm walking through a vineyard in Tuscany
Dennis Montgomery (Santa Clara, California)
- King Crimson: Cirkus (Lizard; 1970)
- Genesis: The Fountain of Salmacis (Nursery Cryme; 1971)
- Greenslade: Feathered Friends (Greenslade; 1973)
- The Moody Blues: Forever Afternoon (Tuesday?) (Days of Future Passed, 1967)
- Celeste: Principe di un Giorno (Principe di un Giorno; 1976)
- Cathedral [US]: The Search (Stained Glass Stories; 1978)
- Spring: The Golden Fleece (Spring; 1971)
- Cathedral [UK]: Purple Wonderland (Hopkins (the Witchfinder General); 1996 EP)
- Grobschnitt: Anywhere (Rockpommels Land, 1977)
- Captain Beefheart: Sue Egypt (Doc at the Radar Station; 1980)
I limited myself to 1 entry per band so I didn't list my 10 favourite King Crimson songs :) Honourable mentions to Black Sabbath 'Changes' (I love the combination of sad Ozzy & 'Tron) and the cover of Genesis Live which I spent hours staring at that white keyboard just knowing it had to be the mysterious Mellotron
John MacRae (South Salem, NY)
- Genesis: Watcher of the Skies [live] (Genesis Live; 1973)
- Harmonium: Histoires Sans Paroles (Les Cinq Saisons; 1975)
- King Crimson: Starless (Red; 1974)
- Celeste: Favole Antiche (Principle di un Giorno; 1974)
- Genesis: Mad Man Moon (A Trick of the Tail; 1976)
- Strawbs: Autumn (Hero & Heroine; 1973)
- SFF: Pictures (Symphonic Pictures; 1976)
- Lift: Simplicity/Caverns (Caverns Of Your Brain; 1977)
- Gracious!: Super Nova (This Is... Gracious!; 1971)
- Limelight: Man of Colours (Limelight; 1980) Thanks for this one Andy!!!
Marc Guilbert (Maryland)
- Museo Rosenbach: Zarathustra (Zarathustra; 1973)
- Gentle Giant: Three Friends (Three Friends; 1972)
- Moody Blues: You & Me (Seventh Sojourn; 1972)
- Gentle Giant: Schooldays (Three Friends; 1972)
- Moody Blues: Legend of a Mind (In Search of the Lost Chord; 1968)
- Strawbs: Hero & Heroine (Hero & Heroine; 1974)
- Deep Purple: Anthem (The Book of Taliesyn; 1969)
- Zombies: Hung Up on a Dream (Odessey & Oracle; 1968)
- Gracious!: Super Nova (This is...Gracious!; 1972)
- Genesis: Cinema Show (Selling England By the Pound; 1973)
Kevin Lewis (area unknown)
- Genesis: White Mountain (Trespass; 1970) The lesser used MKII tapes 'Mandolins' are heard in the beginning and the middle of it, they give an eerie distant quality to the song
- Moody Blues: The Balance (A Question of Balance; 1970) During Mike Pinder's narration about holding the orange, his trademark MKII warm reverbed 3 violins soar along with John Lodge's falsetto
- King Crimson: Providence (USA; 1975) Fripp randomly chops the keys and uses M400 flutes to very good effect. This track is very underrated and is a perfect song before...
- Traffic: Hole in My Shoe (single; 1967) The pitchbent 3 violins 'played by Mason?' in the middle of this after the 'albatross spoken part' are breathtaking!
- Rolling Stones: On With the Show (Their Satanic Majesties Request; 1967) Great 3 violins and Brass? choppy backing part along with pub piano to give it a vaudeville sound
- Yes: The Ancient (Tales From Topographic Oceans; 1973) After the long freakout steel guitar part ends Wakeman provides a beautiful 3 Violins & Cello part that transitions the first vocal line 'as one with the knowledge'
- Steve Howe: Will o'the Wisp (Beginnings; 1975) Patrick Moraz on M400 3 violins right before the last verse, rare use of a 'Tron string build up like an orchestra
- Yes: America (Yesterdays; 1975) Bill Bruford plays the great clicky 3 violins part near the end of the song after legend has it Wakeman was bored with doing a Paul Simon cover and went off to the pub
- King Crimson: Lizard (Lizard; 1970) The second side of Lizard is full of great if brief MKII 3 violin highlights including the dark 'Battle of Glass Tears' and the Jon Anderson sung 'Prince Rupert Awakes'
- Moody Blues: My Song (Every Good Boy Deserves Favour; 1971) Pinder's magnum opus, the ½ speed 3 violins shortly after the 2 minute mark are worth the price of admission
Matt (Connecticut)
- Steve Hackett: Shadow of the Hierophant (Voyage of the Acolyte; 1975)
- Genesis: The Fountain of Salamcis (Nursery Cryme; 1971)
- Genesis: Can-Utility and the Coastliners (Foxtrot; 1972)
- Genesis: Supper's Ready (Foxtrot; 1972)
- Genesis: Dancing With the Moonlit Knight/Aisle of Plenty (Selling England By the Pound; 1973)
- Genesis: Entangled (A Trick of the Tail; 1976)
- King Crimson: Epitaph (In the Court of the Crimson King; 1969)
- King Crimson: The Devil's Triangle (In the Wake of Poseidon; 1970)
- Yes: And You and I (Close to the Edge; 1972)
- Moody Blues: Nights in White Satin (Days of Future Passed; 1967)
Gary Owen (Staten Island, NY)
- Beatles: Strawberry Fields Forever (single; 1967)
- Moody Blues: Out and in (To Our Childrens' Childrens' Children; 1969)
- Paul McCartney: Summer's Day Song (McCartney II; 1980)
- Zombies: Care of Cell 44 (Odessey & Oracle; 1968)
- Manfred Mann: Semi-Detached Suburban Mr. James (single; 1966)
- Rolling Stones: 2,000 Light Years From Home (Their Satanic Majesties Request; 1967)
- Cream: Doing That Scrapyard Thing (Goodbye; 1969)
- George Harrison: Wonderwall to Be Here (Wonderwall Music; 1968)
- Bee Gees: Every Christian Lion Hearted Man Will Show You (Bee Gees' 1st; 1967)
- Traffic: Hole in My Shoe (single; 1967)
Tom Echols (Portland, Oregon)
- Moody Blues: Legend of a Mind (In Search of the Lost Chord; 1968)
- Genesis: The Fountain of Salmacis (Nursery Cryme; 1971)
- Yes: And You and I (Close to the Edge; 1972)
- Genesis: One for the Vine (Wind & Wuthering; 1976) I can't believe nobody else mentioned this song!! Awesome interweaving of strings and choirs! ("fairly ordinary string parts"? What?)
- Moody Blues: Out and in (To Our Childrens' Childrens' Children; 1969)
- Led Zeppelin: The Rain Song (Houses of the Holy; 1973)
- Rolling Stones: 2000 Light Years From Home (Their Satanic Majesties Request; 1967)
- Elton John: This Song Has No Title (Goodbye Yellow Brick Road; 1973)
- Paul McCartney: Singalong Junk (McCartney; 1970)
- Brian Auger's Oblivion Express: Inner City Blues (Closer to it!; 1973) What it lacks in 'tron quantity it makes up for with an ethereal quality
- Beatles: Flying (Magical Mystery Tour; 1967) allright, I guess we have to include the Fab Four...
Eleven there, Tom! Naughty... And there is one other vote for One For The Vine, but life really is too short to search for it, eh?
Jonathan Meyers (New England)
- Genesis: Firth of Fifth (Selling England By the Pound; 1973)
- Uriah Heep: Come Away Melinda (Very 'Eavy, Very 'Umble; 1970)
- Barclay James Harvest: Medicine Man (live) (Live; 1974)
- Steve Hackett: Clocks (Spectral Mornings; 1979)
- King Crimson: Starless (Red; 1974)
- Yes: Heart of the Sunrise (Fragile; 1971)
- Moody Blues: The Dream/Have You Heard pt 1/The Voyage/Have You Heard pt 2 (On the Threshold of a Dream; 1969)
- Strawbs: New World (Grave New World; 1972)
- Manfred Mann's Earth Band: Father of Day, Father of Night (Solar Fire; 1973)
- Rush: Tears (2112; 1976)
- Genesis: Dance on a Volcano (A Trick of the Tail; 1976)
That's eleven, Jonathan... And some favorite samples
- Ghost: He is (Meliora; 2015)
- Ween: Cold Blows the Wind (The Mollusk; 1997)
- Opeth: Burden (Watershed; 2008)
Jake Le Master (San Diego, California)
- Wobbler: From Here to Somewhere (From Here to Somewhere; 2017) There's a buildup moment toward the end (16:40) that is possibly my all-time favorite 'Tron moment. Powerful, beautiful, and purposeful. Just a mind-blowingly musically-genius use of the instrument
- Harmonium: Depuis l'Automne (Les Cinq Saisons; 1975) One of the most lush, beautiful uses of 'Tron
- Yes: And You & I (Close to the Edge; 1972) Competes with Harmonium's 'Depuis l'Automne' for the most beautiful, rich 'Tron songs
- Genesis: The Fountain of Salmacis (Nursery Cryme; 1971) The swells are just genius and unbelievably great
- King Crimson: Epitaph (In the Court of the Crimson King; 1969) Most powerful, overwhelming use of it
- England: Paraffinalea (Garden Shed; 1977) Not even that heavy with 'Tron but I can't even tell you how many times I've woken up in the morning with that riff in the middle of the song going through my head. One of the most memorable riffs in 'Tron history in my opinion
- Wobbler: In Orbit (Rites of Dawn; 2009) Gorgeous and epic 'Tron moments
- Yes: The Gates of Delirium (Relayer; 1974) The 'Soon' 'Tron is nearly unmatched in beauty
- Spring: Gazing (Spring; 1971) Reminiscent of 'Epitaph' in some ways, but more laid back
- Harmonium: Histoires Sans Paroles (Les Cinq Saisons; 1975) Like a big, warm blanket
John Menier (also San Diego, California)
- King Crimson: In the Wake of Poseidon (In the Wake of Poseidon; 1970)
- Tangerine Dream: Mysterious Semblance at the Strand of Nightmares (Phaedra; 1974)
- Barclay James Harvest: Ursula (the Swansea Song) (And Other Short Stories; 1971)
- Genesis: Watcher of the Skies (live) (Live; 1973)
- David Bowie: Space Oddity (Man of Words/Man of Music, a.k.a. Space Oddity; 1969)
- Atlantis Philharmonic: Woodsman (Atlantis Philharmonic; 1974)
- Bee Gees: Every Christian Lion Hearted Man Will Show You (Bee Gees 1st; 1967)
- Be-Bop Deluxe: Lovers Are Mortal (various compilations) Ed: not actually a Mellotron!
- OMD: Joan of Arc (Maid of Orleans) (Architecture & Morality; 1981)
- Steve Hackett: Shadow of the Hierophant (Voyage of the Acolyte; 1975)
In his own words, John 'couldn't resist adding a few alternates', a cheeky way of not having to trim your list down!
- Hawkwind: Paradox (Hall of the Mountain Grill; 1974)
- Pavlov's Dog: Julia (Pampered Menial; 1975)
- Moody Blues: New Horizons (Seventh Sojourn; 1972)
Cara S. (Ann Arbor, Michigan)
- Genesis: Watcher of the Skies (Foxtrot; 1972) Never would've learned about the Mellotron in the first place if not for this song!
- King Crimson: Starless (Red; 1974)
- Genesis: The Fountain of Salmacis (Nursery Cryme; 1971)
- Yes: And You and I (Close to the Edge; 1972)
- Steve Hackett: Ace of Wands (Voyage of the Acolyte; 1975)
- Genesis: Dancing With the Moonlit Knight (Selling England By the Pound; 1973)
- King Crimson: Epitaph (In the Court of the Crimson King; 1969)
- Arcade Fire: Sprawl II (Mountains Beyond Mountains) (The Suburbs; 2010) I read your review and I know you really didn't like this album, but I was a young teenager feeling stifled by suburban life when it came out, and it really resonated with me. I think it's incredibly cool that they used a real Mellotron in an era and genre from which you'd never expect it!
- Genesis: Can-Utility and the Coastliners (Foxtrot; 1972)
- Tangerine Dream: Mysterious Semblance at the Strand of Nightmares (Phaedra; 1974)
Rest of World
Clay Eccles, from the Mellotronists list (Toronto, Canada)
- Strange Advance: Worlds Away (Worlds Away; 1983)
- Steve Hackett: Watcher of the Skies (Genesis Revisited; 1999) [Editor's note: this was actually Mark II samples]
- Genesis: Fly on a Windshield (The Lamb Lies Down on Broadway; 1974)
- PFM: River of Life (Photos of Ghosts; 1973)
- King Crimson: Sailor's Tale (Islands; 1971)
- King Crimson: The Devil's Triangle (In the Wake of Poseidon; 1970)
- The Moody Blues: Out and in (To Our Children's Children's Children; 1969)
- The Moody Blues: Candle of Life (To Our Children's Children's Children; 1969)
- The Moody Blues: Watching and Waiting (To Our Children's Children's Children, 1969)
- The Moody Blues: Have You Heard/The Voyage (On The Threshold of a Dream; 1969)
Christopher Orczy (New Zealand)
- Moody Blues: Dawn: Dawn is a Feeling (Days of Future Passed; 1967) This track takes me right back to my childhood, when I obviously got hooked on the Mellotron sound subconsciously
- Genesis: The Fountain of Salmacis (Nursery Cryme; 1971) Upon hearing this track, I just had to get a Mellotron. So epic, tasteful and emotional
- King Crimson: Epitaph (In the Court of the Crimson King; 1969) One of the best Mellotron driven tracks ever. Great song, and the mixture of Greg Lake's voice with the Mellotron strings when he sings "crying" at the end is one of those "tingle" moments
- Edgar Froese: Epsilon in Malaysian Pale (Epsilon in Malaysian Pale; 1975) Almost a sonata for Mellotron flute and strings. Three movements of Mellotron bliss. 1st movement is flute and strings, 2nd movement introduces an analog sequencer rhythm, and the the last movement is as beautiful and mournful as it gets
- Yes: Gates of Delirium (Relayer; 1974) I love the "Soon" section. Moraz's Mellotron work here is perfect for the feel of the song, especially when Anderson starts on his ascending "lalala la" bit. Overwhelmingly touching
- Moody Blues: Out and in (To Our Children's Children's Children; 1969) Lovely Mellotron line. Especially the ascending lift at the end. Heavenly
- Genesis: Broadway Melody of 1974 (The Lamb Lies Down on Broadway; 1974) At the end after "needles and pins", the quiet part with Hackett's lovely guitar. It is one of those moments that needed to be so much longer
- Tangerine Dream: Invisible Limits (Stratosfear; 1976) After the intro part, there is a little piece of super '70s easy listening Mellotron work. It is so nice and....."easy"
- Split Enz: Under the Wheel (Mental Notes; 1975) I have to put this in here. New Zealand has very few Mellotron moments in its musical history, but this is brilliant
- Yes: And You and I (Close to the Edge; 1972) In the Eclipse part when Anderson starts singing. This is one of the greatest moments in all music. I still get the shivers from that moment
Arjan van Diessen (The Netherlands)
- Strawbs: The Life Auction (Ghosts; 1974)
- Strawbs: New World (Grave New World; 1972)
- Änglagård: Kung Bore (Hybris; 1992)
- Sinkadus: Ulv i Fårakläder (Cirkus; 1999)
- Genesis: The Fountain of Salmacis (Nursery Cryme; 1971)
- Cathedral: The Search (Stained Glass Stories; 1978)
- Morte Macabre: Apoteosi Del Mistero (Symphonic Holocaust; 1998)
- Sandrose: Old Dom is Dead (Sandrose; 1972)
- Arthur Brown's Kingdom Come: Superficial Roadblocks (Journey; 1973)
- Pulsar: Strands of the Future (Strands of the Future; 1976)
Plus Arjan's top ten albums:
- The Smell of Incense: Through the Gates of Deeper Slumber (1997) Folkprog with loads of Mellotron, watch out for the new album this summer!
- Pye Fyte: The Gathering of the Krums (1998) You want Mellotron, you've got Mellotron
- Standarte: Curses and Invocations (1997) Long live the progressive seventies sound
- Mikromidas: Brennende Drømmer (2001) Norwegian band with dominating Mellotron all over the album
- Wobbler: Hinterland (2005) Excellent new band from (again) Norway, with the keyboard player from White Willow!
- Änglagård: Hybris (1992), Epilog (1994) and Burried Alive (1996) Absolutely fantastic, no further comment
- Cathedral: Stained Glass Stories (1978) Beautiful US prog with beautiful choir Mellotron
- Spring: Spring (1971) Early British progressive rock band with three Mellotron players!
- Morte Macabre: Symphonic Holocaust (1998) Have you ever heard more Mellotron in 57 minutes?
- White Willow: Storm Season (2004) New and the best album from this Norwegian (!) band
Jussi Jokinen (Finland)
- King Crimson: Mars (Epitaph - Live 1969; 1997)
- Genesis: Watcher of the Skies (Foxtrot; 1972)
- Tangerine Dream: Zeit (Zeit; 1972) Editor's note: no Mellotron on this one - it's all cellos
- Van der Graaf Generator: A Plague of Lighthouse Keepers (Pawn Hearts; 1971)
- Yes: Close to the Edge (Close to the Edge; 1972)
- Caravan: Nine Feet Underground (In the Land of Grey and Pink; 1971)
- David Bowie: Space Oddity (Space Oddity; 1969)
- Radiohead: Exit Music (for a Film) (OK Computer; 1997)
- Beatles: Strawberry Fields Forever (single; 1967)
- King Crimson: The Court of the Crimson King (In The Court of the Crimson King; 1969)
Fabio Menegus (Italy)
- Genesis: 'As Sure as Eggs is Eggs', from Supper's Ready (Foxtrot; 1972)
- Genesis: Silent Sorrow in Empty Boats (The Lamb Lies Down on Broadway; 1974)
- King Crimson: Epitaph (In the Court of the Crimson King; 1969)
- Yes: And You and I (Close to the Edge; 1972)
- Genesis: Dancing with the Moonlit Knight (Selling England By the Pound; 1973)
- King Crimson: In the Wake of Poseidon (In the Wake of Poseidon; 1970)
- Genesis: Watcher of the Skies (Foxtrot; 1972)
- Steve Hackett: Hands of the Priestess (Voyage of the Acolyte; 1975)
- Steve Hackett: The Steppes (Defector; 1980)
- Genesis: Firth of Fifth (Selling England By the Pound; 1973)
A gentleman rejoicing in the nom-de-plume U-Suck (Japan). He's listed albums, not tracks, but here they are anyway.
- King Crimson: In the Wake of Poseidon; 1970
- Jonesy: Keeping Up; 1973
- Kestrel: Kestrel; 1975
- Gracious!: This is...Gracious!; 1972
- Julian Jay Savarin: Waiters On The Dance; 1971
- Raw Material: Raw Material; 1970
- Sandrose: Sandrose; 1972
- Twink: Think Pink; 1969
- P.F.M.: Storia di un Minuto; 1972
- Wind: Morning; 1972
Wilson Park tells me he lives 'in his mind', which really has to go under 'Rest of World'. His imaginary album is titled Mellow Mellotrons. And why not?
- Strawbs: Queen of Dreams (Grave New World; 1972)
- Moody Blues: The Voyage (On the Threshold of a Dream; 1969)
- Family: Voyage (Music in a Dolls House; 1968)
- King Crimson: Islands (Islands; 1971)
- Moody Blues: Legend of a Mind (In Search of the Lost Chord; 1968)
- The Beatles: Strawberry Fields Forever (single, 1967)
- Jimi Hendrix: 1983 (A Merman I Should Turn to Be) (Electric Ladyland; 1968) Ed: no Mellotron here - sorry
- Genesis/Brian Eno: IT (The Lamb Lies Down on Broadway; 1974)
- Lower Echelons: The Chair (?; 1987) totally unknown, totally brilliant!
- The Beatles/George Harrison: It's All Too Much (Yellow Submarine; 1969) Ed: Mellotron?
Put that lot on a CD in that order and you will be in sonic seventh heaven!!!
Ruud Cremer (Netherlands)
- Genesis: Watcher of the Skies (Foxtrot; 1972)
- Genesis: The Fountain of Salmacis (Nursery Cryme; 1971)
- Genesis: Dancing with the Moonlit Knight (Selling England By the Pound; 1973)
- Strawbs: Hero And Heroine (Hero And Heroine; 1974)
- Refugee: Credo (Refugee; 1974)
- Yes: The Gates of Delirium (Relayer; 1974)
- Steve Hackett: Shadow of the Hierophant (Voyage of the Acolyte; 1975)
- Strawbs: New World (Grave New World; 1972)
- King Crimson: The Court of the Crimson King (In the Court of the Crimson King; 1969)
- Yes: And You and I (Close to the Edge; 1972)
Luis G López (Monterrey, Mexico)
- King Crimson: Starless (Red; 1974)
- Genesis: Blood on the Rooftops (Wind & Wuthering; 1976)
- Yes: The Revealing Science of God (Tales From Topographic Oceans; 1973)
- PFM: Appena un Po (Per un Amico; 1972)
- Museo Rosenbach: Zarathustra (Zarathustra; 1973)
- Pulsar: The Strands of the Future (The Strands of the Future; 1976)
- Rustichelli & Bordini: Esvegliarsi in un Giorno (Opera Primo; 1973)
- Celeste: Favole Antiche (Principe di un Giorno; 1976)
- Clearlight: 1st Movement (Symphony; 1975)
- Focus: Le Clochard (Moving Waves; 1971)
Plus some cheeky 'honourable mentions', which takes Luis' list up to 15, but won't be included in the statistics:
- Ange: Dans les Poches du Berger (Guet-Apens; 1978)
- Sandrose: To Take Him Away (Sandrose; 1972)
- Anekdoten: This Far From the Sky (Nucleus; 1995)
- Camel: Air Born (Moonmadness; 1976)
- Steve Hackett: Spectral Mornings (Spectral Mornings; 1979)
And DVD appearances!:
- Genesis: Fly on a Windshield (In Concert; 1976: unreleased)
- Focus: Hamburger Concerto (Masters From the Vaults; 2004)
- Led Zeppelin: Stairway to Heaven (DVD; 2003)
Andrew Maitland (Newcastle, Australia). Andrew owns M400 #1122, ex-Sebastian Hardie
- Beatles: Strawberry Fields Forever (single; 1967) My first encounter with the Mellotron. You've got to wonder why they didn't use it more often
- Moody Blues: Candle of Life (To Our Childrens' Childrens' Children; 1969) There are, doubtless, better 'Tron performances by Mike Pinder. I just picked this one 'cos it's my favourite Moodies tune
- Spring: The Prisoner (Eight By Ten) (Spring; 1971) Three Mellotron players. Need one say more?
- Yes: And You and I (Close to the Edge; 1972) The 'Tron passages and those three-part harmonies are just sublime. Who cares that the lyrics are dribble?!
- Genesis: Silent Sorrow in Empty Boats (The Lamb Lies Down on Broadway; 1974) Magical. Beautiful. And, apart from a bit of cymbal tickling, no Phil Collins
- King Crimson: Cirkus (Lizard; 1971) With that brass sound, perfect for frightening small children on night-time car trips
- Tintern Abbey: Beeside (single; 1967) Brilliant, obscure and totally barking bonkers! TA only ever released one single in their lifetime - this track being the A side
- Pink Floyd: Sysyphus (Ummagumma; 1969) From the studio half of most people I know quote as their least favourite Floyd album. Yes, even the ones who've heard Animals [Ed. Animals is my FAVOURITE Floyd album...]
- Add N to (X): Machine is Bored With Love (Avant Hard; 1999) Analogue synth fetishists who got hold of a 'Tron by their 3rd (and best) album Avant Hard. This track also samples Egg's 'Fugue in Dm'
- Kinks: Do You Remember Walter? (Village Green Preservation Society; 1968)
Bill Rendall (Australia). Bill's list is chronological
- Moody Blues: Nights in White Satin (Days of Future Passed; 1967) Pioneering use of the Mellotron. Great bridge between Mellotron strings and a real orchestra
- Beatles: Strawberry Fields Forever (single; 1967) Set the benchmark for the flute sound
- King Crimson: Epitaph (In the Court of the Crimson King; 1969) Stirring Mellotron swells mixed with drum rolls. A spine tingling pitch bend. This song is the ultimate in Mellotronness
- David Bowie: Space Oddity (Space Oddity; 1969) Bringing Rick Wakeman in as a session man to play the Mellotron turned this song into a classic
- Yes: Heart of the Sunrise (Fragile; 1971) The majestic Mellotron sound provides an effective contrast with the song's frenetic sections
- Genesis: Cinema Show (Selling England By the Pound; 1973) Understated but masterful control of the Mellotron choir
- Led Zeppelin: Kashmir (Physical Grafitti; 1975) Mellotron strings mixed with real strings create an exotic Eastern atmosphere
- Crowded House: Into Temptation (Temple of Low Men; 1988) Chamberlin strings provide the ideal backing for a haunting melody
- Radiohead: Exit Music (for a Film) (OK Computer; 1997) An unearthly Mellotron choir creates an appropriately dark atmosphere
- The Dissociatives: Aaangry Megaphone Man (The Dissociatives; 2004) Aggressive use of Mellotron pitch bend. Its heart warming to hear the glorious tradition of the Mellotron is still being championed in the age of computers and samplers
Johannes Koskela (Finland)
- Pink Floyd: Sysyphus (Ummagumma; 1969) Dark and mysterious, beautiful Mellotron atmospherics. I will always remember this one
- Gracious!: Super Nova (This is... Gracious!; 1972) From terror to bliss
- Edgar Froese: Epsilon In Malaysian Pale (Epsilon In Malaysian Pale; 1975) Absolutely fantastic journey through the emotional landscapes
- Genesis: The Fountain of Salmacis (Nursery Cryme; 1971) Gives you instant Mellotron rush. I've heard a sample of these strings on some unknown trance track and they worked fine in that context too
- King Crimson: The Court of the Crimson King (In The Court of the Crimson King; 1969) Classic and not without reason
- King Crimson: Epitaph (In The Court of the Crimson King; 1969) Philosophical and absolutely gorgeous Mellotron
- Family: Mellowing Grey (Music in a Dolls House; 1968) The Mellotron complements real strings beautifully
- Traffic: Hole In My Shoe (single; 1967) Interplay with a piano is excellent
- Gracious!: Heaven (Gracious!; 1970) I can feel them rising!
- King Crimson: Starless (Red; 1974) As a song, fantastic, and the Mellotron is plus plus
Matthijs Herder (Netherlands)
- Anekdoten: Ricochet (Gravity; 2003)
- Yes: And You and I (Close to the Edge; 1972)
- Museo Rosenbach: Zarathustra (Zarathustra; 1973)
- Yes: Heart of the Sunrise (Fragile; 1971)
- King Crimson: The Devil's Triangle (In the Wake of Poseidon; 1970)
- Yes: Close to the Edge (Close to the Edge; 1972)
- Genesis: Eleventh Earl of Mar (Wind & Wuthering; 1976)
- King Crimson: Starless (Red; 1974)
- Yes: The Gates of Delirium (Relayer; 1974)
- England: Three Piece Suite (Garden Shed; 1977)
Jouko Heikkala (Oulu, Finland)
- King Crimson: In the Wake of Poseidon (In the Wake of Poseidon; 1970) This is number one. This is all what KC is to me
- Barclay James Harvest: She Said (Once Again; 1971) This is all that the Mellotron is to me
- Genesis: Seven Stones (Nursery Cryme; 1971) A much underrated piece with a majestic wall of sound
- Moody Blues: Legend of a Mind (In Search of the Lost Chord; 1968) Mellotron virtuosity
- Anekdoten: Sad Rain (Vemod, Japanese edition; 1993) One of the best 'modern' Mellotron songs
- Steve Hackett: Shadow of the Hierophant (Voyage of the Acolyte; 1975) This is what Genesis could have grown into...
- Aerosmith: Dream on (Aerosmith; 1973) This is a powerful song with the ethereal Mellotron in the distance. I could not imagine this song without the 'Tron sound
- Black Sabbath: Changes (Volume 4; 1972) A simple song and a simple Mellotron pattern, but it supports the song marvellously
- Uriah Heep: Come Away Melinda (Very 'Eavy... Very 'Umble; 1970) An early metal band playing a melancholic, beautiful song. What should fit there better than the Mellotron?
- Woolly Wolstenholme: Deceivers All (Songs From the Black Box; 1994) An incredible 'rebirth of BJH'
JMF Martikorena (Basque Region, Spain)
- Yes: And You and I (Close to the Edge; 1972)
- King Crimson: Sailor's Tale (Islands; 1971)
- Yes: The Revealing Science of God (Tales From Topographic Oceans; 1973)
- Genesis: The Cinema Show (Selling England By the Pound; 1973)
- Steve Hackett: Spectral Mornings (Spectral Mornings; 1979)
- Genesis: Dancing With the Moonlit Knight (Selling England By the Pound; 1973)
- Yes: Heart of the Sunrise (Fragile; 1971)
- Yes: Awaken (Going for the One; 1977)
- Moody Blues: Question (A Question of Balance; 1970)
- Genesis: Blood on the Rooftops (Wind & Wuthering; 1976)
Gerard Nowak (Poznań, Poland)
- Moody Blues: Legend of a Mind (In Search of the Lost Chord; 1968) These pitchbent strings were somewhat of a revelation for me at the age of 12
- Moody Blues: Out and in (To Our Childrens' Childrens' Children; 1969) The definitive Mark II sound to reflect the beauty of the world
- Moody Blues: Gypsy (live) (Caught Live + 5; 1969/77) Might be a little off-key, but still overwhelming in its rawness
- Bee Gees: Every Christian Lion Hearted Man Will Show You (First; 1967) The melody is less than rudimentary, but the tone more than saves the day; nowhere else did I hear anything so effective in its simplicity
- Beatles: Strawberry Fields Forever (single; 1967) The ending of the 'slow version' to be sped up afterwards, what a pity it didn't make it to the final edit!
- Yes: Heart of the Sunrise (Fragile; 1971) Delicious interplay with the drums and bass
- Moody Blues: Beyond (To Our Childrens' Childrens' Children; 1969) The heavenly flutes!
- Rolling Stones: 2000 Light Years From Home (Their Satanic Majesties Request; 1967)
- Beatles: Flying (Magical Mystery Tour; 1967) The trombone!
- Genesis: Fly on a Windshield (The Lamb Lies Down on Broadway; 1974)
Pier "THM" (Belgium)
- King Crimson: Epitaph (In the Court of the Crimson King; 1969) One of my favourite prog rock songs, full of Mellotron sounds (the drum roll at the beginning, the mighty Mellotron strings through the whole song, and maybe more)
- Tangerine Dream: Phaedra (Phaedra; 1974) The choir, and not to forget the powerful mix of Mellotron cello & strings that makes the end of the song really shivering my spine...
- Free System Projekt: Naiad (Atmospheric Conditions; 2002) Mellotron choir, flutes and strings in a really fantastic song from a great Dutch electronic band - also have a listen to 'Thalassa' (recommended to every 70s Tangerine Dream lover like me - notice that they only use Mellotron samples but it still gives an idea of the real stuff)
- Tangerine Dream: Rubycon Part 2 (Rubycon; 1975) Especially the dreamy flutes part at the end would never be the same without the Mellotron
- Yes: Heart of the Sunrise (Fragile; 1971) My favourite Yes song, with the Mellotron strings well used
- Genesis: Dancing With the Moonlit Knight (Selling England By the Pound; 1973) I love this song (and actually the whole album 'Selling England By The Pound' - still my favourite Genesis album)
- David Bowie: Space Oddity (Space Oddity; 1969) Classic song, from a classic singer, using the classic old Mellotron strings, played by a classic keyboard player (Rick Wakeman) - should I say more?
- Genesis: Watcher of the Skies (Foxtrot; 1972)
- King Crimson: The Court of the Crimson King (In the Court of the Crimson King; 1969) Another great song from the album with the same name, full of Mellotron strings and flutes
- Moody Blues: Nights in White Satin (Days of Future Passed; 1967) Mellow song, but another real Mellotron classic (as well as most stuff by The Moody Blues - all full of Mellotron)
Daniel (Capetown, South Africa)
In alphabetical order...
- Barclay James Harvest: Mocking Bird (Once Again; 1971)
- Genesis: The Cinema Show (Selling England By the Pound; 1973)
- Gentle Giant: Three Friends (Three Friends; 1972)
- Gentle Giant: Pantagruel's Nativity (Octopus; 1972)
- King Crimson: Epitaph (In the Court of the Crimson King; 1969)
- Moody Blues: Forever Afternoon (Tuesday?) (Days of Future Passed; 1967)
- Moody Blues: Nights in White Satin (Days of Future Passed; 1967)
- Yes: Close to the Edge (Close to the Edge; 1972)
- Yes: And You and I (Close to the Edge; 1972)
- Yes: The Revealing Science of God (Tales From Topographic Oceans; 1973)
Tilo Preitz (Cologne, Germany)
- Deadwood Forest: Dry (Mellodramatic; 2000)
- Stevie Salas Colorcode: I Was Made to Love Her (Electric Pow Wow; 1994)
- Genesis: Watcher of the Skies (Foxtrot; 1972)
- Sebastian Hardie: Openings (Four Moments; 1975)
- PFM: Altaloma Nine Till Five (Cook; 1974)
- Yes: And You and I (Close to the Edge; 1972)
- Limelight: Man of Colours (Limelight; 1980)
- Anekdoten: The War is Over (Gravity; 2003)
- David Bowie: Space Oddity (Space Oddity; 1969)
- Astra: The Weirding (The Weirding; 2009)
Julian Riley (Helsinki, Finland, via Leeds, UK)
- Tintern Abbey: Beeside (single; 1967) I'm surprised no-one's featured this in their favourites yet... one of the eeriest examples of English psychedelia, must have listened to it a thousand times & still lifts the bristles on me neck
- Rolling Stones: On With the Show (Their Satanic Majesties' Request; 1967) A much-maligned album (except here, it would seem), and this track gets the most stick of all. I don't give a rat's what the 'authorities' at Mojo/Record Collector/Smug Know-It-All Pillock's Monthly (with free CD) say - this is a monstrous Mellotron-soaked piece of hokum and I've been annoying people with it for years
- Spring: Golden Fleece (Spring; 1971) I find much of this album a tad overrated, but it is drenched in Mellotron and certainly has the odd smattering of sit-up-and-listen moments... through a reasonable set of headphones this track sounds quite brilliant
- Amazing Friendly Apple: Magician (b-side; 1969) Leeds lads, just like me - but that didn't sweeten my judgement. Ultra-rare psych-prog with awesome washes of 'Tron sweeping in & out of the finale; makes The Nice sound... well, nice. Their manager is still around, managing a record shop in Leeds. My girlfriend's sister tried to prise an original copy out of him but alas...
- A.P. Dangerfield: Conversations (in a Station Light Refreshment Bar) Pts 1 & 2 (single; 1967) Bit of an oddity, this - to my knowledge yet to be anthologized (could be wrong though), I bought this single back in the '80s as part of a job-lot from a dealer in London. Nothing known about the artist; I'm guessing it's a studio knock-up but a pretty nice one nonetheless; the 'Tron is everywhere on both sides of this rather bleak little pop vignette
- Moody Blues: Out and in (To Our Childen's Children's Children; 1969) Lots about The Moodies on this site so I won't waste words. Suffice to say, this number is Planet Mellotron...
- Joy Division: Decades (Closer; 1980) My favourite combo ever...... shame they didn't employ The Monster more often. Can you imagine 'Isolation', 'Heart & Soul' or 'I Remember Nothing' swathed in clouds of 'Tron? One can but wonder...
- Family: Mellowing Grey (Music in a Dolls House; 1968) Heart-wrenching... was a toss-up between this and 'Voyage' from the same album, the latter being quite possibly the scariest example of Mellotron usage ever committed to tape
- Manfred Mann: Semi-Detached Suburban Mr James (single; 1966) Kitchen-sink class from this alarmingly consistent group; I also like the 'Tron bleats on 'Brown And Porters (Meat Exporters)' from the CD version of 'Up The Junction', though I'm not sure where that track originates from... a foreign 45 maybe?
- St Giles System: Swedish Tears (b-side; 1969) Now then.... is it or isn't it? This wonderful slab of Dutch pop-psych has had me baffled for years. Some days I'm utterly convinced that's a Mellotron grooving along in the backwash, other times I'm not so sure. Confirmation either way would be welcome
Julien Claassen (Hamm, Germany)
- Flower Kings: The Truth Will Set You Free (Unfold the Future; 2002) All over the place strings and choir, but one bit especially around 18:30 Ed: samples
- Flower Kings: Silent Inferno (Unfold the Future; 2002) Especially the choir and solo voices around 8:10 Ed: samples
- Flower Kings: The End of Innocence (Stardust We Are; 1997) Directly in the beginning some nice choir - probably sampled Ed: samples
- Flower Kings: One More Time (The Sum of No Evil; 2007) Ed: samples
- Genesis: Hairless Heart (The Lamb Lies Down on Broadway; 1974)
- King Crimson: Starless (Red; 1974)
- Genesis: Fly on a Windshield (The Lamb Lies Down on Broadway; 1974)
- Focus: Eruption (Moving Waves; 1971)
- Änglagård: Jordrök (Hybris; 1992)
- Somewhere: The Twelve Days of Progmas (YouTube, 2010) It's more the spirit than the actual Mellotron bit, since it's a little short, where its strong point is. :-)
Peter Szekszárdi (Netherlands)
- King Crimson: Starless (Red; 1974)
- King Crimson: Epitaph (In the Court of the Crimson King; 1969)
- Rainbow: Catch the Rainbow (Ritchie Blackmore's Rainbow; 1975)
- Fiona Apple: Slow Like Honey (Tidal; 1996)
- Sky Cries Mary: An Ant, the Stars, an Owl, and its Prey (Moonbathing on Sleeping Leaves; 1996)
- Pink Floyd: See Saw (A Saucerful of Secrets; 1968)
- Tangerine Dream: Cherokee Lane (Encore; 1977)
- Jethro Tull: Witches Promise (Single; 1970)
- Air: The Virgin Suicides (full album; 2000)
- Julie Driscoll, Brian Auger & the Trinity: This Wheel's on Fire (Single; 1968)
David Canis (Celaya, Mexico)
- Änglagård: Ur Vilande (Viljans Öga; 2012)
- Anekdoten: Kiss of Life (From Within; 1999)
- Landberk: I Nattens Timma (Riktigt Äkta; 1992)
- Le Orme: Breve Immagine (Uomo di Pezza; 1972)
- Morte Macabre: Opening Theme (Symphonic Holocaust; 1998)
- Nicklas Barker: Sisters - Phantasm (El Último Fin de Semana; 2011) Ed: samples
- Paatos: Hypnotique (Timeloss; 2002)
- Porcupine Tree: Small Fish (Up the Downstair; 1993) Ed: not actually a Mellotron
- Trettioåriga Kriget: Mina Löjen (Trettioåriga Kriget; 1974)
- Twin Age: Twelve Feet Tall (Lialim High; 1997) Ed: samples
Kyle Keski-Hynnila (British Columbia, Canada)
- Spring: The Prisoner (Eight By Ten) (Spring; 1971)
- Manfred Mann: Country Dancing (Mighty Garvey!; 1968)
- Cliff Wade: You've Never Been to My House (single; 1969)
- Aphrodite's Child: You Always Stand in My Way (End of the World; 1969)
- Moody Blues: Beyond (To Our Children's Children's Children; 1969)
- Jason Crest: A Place in the Sun (single; 1968)
- Manfred Mann: Semi-Detached Suburban Mr. James (single; 1966)
- Pink Floyd: Sysyphus (Part One) (Ummagumma; 1969)
- Elmer Gantry's Velvet Opera: What's the Point of Leaving (Elmer Gantry's Velvet Opera; 1969)
- The Kinks: Sitting By the Riverside (Village Green Preservation Society; 1968)
Will Howlett (Canada)
- King Crimson: The Court of the Crimson King (In the Court of the Crimson King; 1969)
- Genesis: Watcher of the Skies (Foxtrot; 1972)
- Moody Blues: Nights in White Satin (Days of Future Passed; 1967)
- King Crimson: Cirkus (Lizard; 1970)
- Hawkwind: Assault and Battery/The Golden Void (Warrior on the Edge of Time; 1975)
- Schicke Führs Fröhling: Tao (Symphonic Pictures; 1976)
- Yes: Close to the Edge (Close to the Edge; 1972)
- Motorpsycho: Starhammer (Heavy Metal Fruit; 2010)
- Änglagård: Sorgmantel (Viljans Öga; 2012)
- David Bowie: "Heroes" ("Heroes"; 1977)